Comment 15 April 2026

Across the generations

A man with short dark hair and a trimmed beard sits with his arms crossed, wearing a light blue shirt. He is indoors, in front of a dark wall decorated with framed artwork and photos.
David Joseph
Chief Executive Officer at the RSA
reading time: Three minutes
Design Fellowship Fellowship in Action

The CEO of the Royal Society of Arts introduces the Journal’s ‘Generations’ issue, which includes an in-depth interview with activist Cory Doctorow, plus a design refresh and a greater focus on the work and thoughts of RSA Fellows.

Welcome to the latest edition of RSA Journal, exploring the theme of ‘Generations.’ 

Ours is a Fellowship that proudly spans ages from 18 to 100. Yet, across society, we see widening gaps – in opportunity, in trust, in how technology shapes our lives. At a moment when public debate can pit generations against one another, the Royal Society of Arts has an urgent role to play in bringing them together. We know that ideas, invigoration and joy happen when different walks of life cross paths. When experience, specialisms and generations collide. 

This Journal issue marks a new chapter – not only because it is the first in which I have contributed the opening Comment, but because it reflects a renewed focus on the heart of the RSA: our Fellows. 

You will have turned the page from our striking cover portrait by photographer Francesca Jones, indicative of a new direction that places Fellows at the forefront of the Journal. And you’ll discover more writing by and about those who make this community what it is. As I shared at last year’s AGM, we are putting the spotlight on your stories, your projects and your ideas – the rich tapestry of the RSA.

 

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A highlight of this issue is our ‘In Conversation’ interview with author and activist Cory Doctorow. A Fellow since 2005, Cory offers a characteristically candid critique of social media, AI and large tech companies, and reflects on how these forces shape different generations in unique ways.  

Elsewhere, our brilliant Fellows explore social prescribing, generational AI and the arts. And we’re delighted to introduce a regular column featuring a Royal Designer for Industry, beginning with Johanna Gibbons, Keeper of the Faculty of Royal Designers. 

The Royal Society of Arts is the ‘home of creativity applied for the common good’. This is a compass for us. In a time of fragmentation, we convene curious and imaginative minds, and we champion creativity and innovation to overcome challenges. 

You will see that spirit throughout these pages. Published in different forms since 1783, the Journal continues to proudly evolve, ensuring it remains a vibrant and inspirational destination for us all. 

Knowledge grows when shared.
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